Le Ventre de Paris (1873) is the third novel in Émile Zola's twenty-volume series Les Rougon-Macquart. It is set in and around Les Halles, the enormous, busy central marketplace of 19th CenturyParis. Le Ventre de Paris (translated into English under many variant titles, but literally meaning The Belly of Paris) is Zola's first novel centered entirely on the working classes.
The plot is centred around the escaped political prisoner Florent and the effect he has on Lisa Quenu (formerly Macquart) and her family, with whom he finds refuge. Although Zola had yet to hone his sense for working-class speech and idioms displayed to such good effect in L'Assommoir, the novel still conveys a powerful atmosphere both of life in the great market halls and of working class suffering in general. There are several excellent descriptive passages, the most famous of which, his description of the olfactory sensations experienced upon entering a cheese shop, has become known as the "Cheese Symphony" due to its ingenious orchestral metaphors. Throughout the book, the painter Claude Lantier - himself a relative of the Macquarts and later the central character in Zola's novelL'Œuvre (1886) - shows up to provide a semi-authorial commentary, effectively playing the role of chorus. It is an interesting and often powerful work, though not usually considered as being on a par with the novelist's greater achievements later in the Rougon-Macquart cycle.
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